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王健林评许家印:中国再多几个恒大 足球还能进步!恒大成功≠国足成功_我的网站

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一 |     Tamil cinema is gearing up for a major nostalgia wave as the cult Tamil hit film Padayappa storms back into theatres on 12 December, perfectly timed with Rajinikanth’s 75th birthday and his 50-year milestone in cinema. For fans, this is not just a rerelease but an invitation to revisit a cultural moment that helped define superstardom, fan hysteria, and the sheer spectacle of big screen entertainment.In a newly surfaced behind the scenes video, Rajinikanth looks back on the making of the KS Ravikumar hit with characteristic candour. He recalls being astonished by the sheer volume of women who turned up at cinemas during its original run, something he admits he had never witnessed in his decades long career. For a star known for pan demographic appeal, that detail captures the special emotional tether Padayappa created on release.Rajinikanth Says Padayappa 2 Is Under Serious ConsiderationWhat has amplified fan frenzy even more is Rajinikanth’s confirmation that discussions for Padayappa 2 have begun. Having already been part of sequels like Jailer 2 and 2.0, he said he strongly felt the world of Padayappa still had unexplored dimensions.He added that the proposed sequel would shift its gaze entirely to Neelambari. Ramya Krishnan’s iconic antagonist continues to be one of Tamil cinema’s most celebrated characters, remembered for her intensity, elegance, and fierce emotional complexity. Built around her vow to avenge Padayappa even through another birth, the potential storyline has already ignited rampant speculation among fans.Rajinikanth shared that the creative team is currently shaping the narrative and that the new chapter, if finalised, will retain the festive scale and emotional fireworks that made the first film a landmark in his career.                                         A Film Made for the Big Screen ExperienceThe superstar also spoke about the sacredness of the theatrical experience while making Padayappa. He revealed that he consciously resisted lucrative digital offers because he believed the film deserved to be experienced only in cinemas. Except for selling satellite rights, he kept the film away from early home viewing platforms, insisting that its visual energy and narrative punch were designed for the big screen.Directed by KS Ravikumar, the 1999 blockbuster brought together an ensemble that still feels timeless. Sivaji Ganesan delivered regal gravitas as Padayappa’s father, while Soundarya offered warmth and restraint opposite Rajinikanth. Radha Ravi, Nassar, Manivannan, and Abbas rounded out a cast that propelled the story’s blend of conflict, romance, and redemption.                                                                 View this post on Instagram          A post shared by Soundarya Rajinikanth (@soundaryaarajinikant)               AR Rahman’s soundtrack was a sensation on release and remains one of his enduring commercial albums. Tracks like En Peru Padayappa and Minsara Poove continue to dominate nostalgic playlists, testimony to the musical legacy that accompanied the film’s theatrical impact.More than 25 years later, Padayappa still represents everything that makes mass cinema a communal celebration. The emotion, the punch lines, the star power, and the myth making around Rajinikanth have aged into legend. Its rerelease arrives at a symbolic moment in his career, allowing audiences to relive the energy that once turned theatres into festival grounds.And if a Neelambari centred sequel does take shape, fans may soon witness a fresh chapter in one of Tamil cinema’s most iconic rivalries.Also Read: Tamil Cinema Bids Farewell to AVM Saravanan, A Producer Who Shaped Generations。

二 |     67岁的许家印一审被判无期徒刑,他一手缔造的恒大王朝早已灰飞烟灭,这不禁让人想起王健林曾经说过的一番话。         在恒大夺得亚冠冠军之后,王健林说道:“足球这个行业里面,有钱不是万能,但是没钱万万不能。

三 | 足球行业就是烧钱的行业,谁有钱谁就一定玩得最好。所以我倒觉得,中国如果再多几个恒大来玩玩,说不定整个国家足球还有进步。”          接着他话锋一转:“现在的问题就是,恒大的成功和中国足球是不是能够有所借鉴,还不能完全划等号,因为它是靠外援嘛。真正到国家队玩足球的话,那就可能完全靠中国人,这个怎么搞,还需要下功夫。”          回看王健林这番言论,不得不感慨:他一眼看穿金元足球的本质,也精准预言了中国足球后来的崩盘式结局。中超金元时代的本质,其实就是资本堆出来的联赛,热闹、好看、有成绩,但治标不治本。         恒大靠巨额投入砸出2个亚冠、8个中超冠军,把中超热度、球星档次、商业价值推到历史顶峰,表面繁花似锦,但正如王健林所言,成功高度依赖高价外援、外教堆砌,是资本的胜利,不是本土足球的胜利。         恒大王朝看似辉煌,本质是砸钱买即战力、买成绩,短时间内出效果,而恒大成绩越好,中超越热闹,球迷就越沉迷于虚假繁荣,误以为中超强、国足就强。

四 |          最终的结局印证了王健林的判断:金元泡沫破裂后,球队欠薪、俱乐部解散,中超一地鸡毛,本土球员的短板彻底暴露,国足成绩不升反降,哪怕世界杯扩军,还是进不了决赛圈。

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Published on:21:21:25


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