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中国男篮世预赛看点：能否两战全胜？杨瀚森反弹？_我的网站

A |     中国男篮将在北京时间8月28日（0点，客场）和31日（19点30分，主场）迎来世预赛第四窗口期，也是世预赛第二阶段的首次比赛，对手分别是卡塔尔队和黎巴嫩队。对于小组排名靠后的中国男篮而言，能否拿下这两场比赛也直接关乎着争夺2027年男篮世界杯参赛资格的前景。    

    A short drama crew films a wedding-themed scene at a traditional residence in Yuanqiao village. Photo: Courtesy of Yuanqiao village
Yang Ni, a villager from Yuanqiao in Dengfeng, Central China's Henan Province, still remembers the nervous excitement of facing a slowly advancing camera for the first time. Now, she shifts with ease between roles, from a maidservant trailing a heroine in a historical drama to a famine-struck villager before the People's Republic of China was set up in 1949. 
Experiencing so many lives within various screenplays, Yang said that short dramas have transformed not only her life, but also the ancient village she calls home.
Yuanqiao, a small village with a history that traces back over 600 years, has welcomed more than 70 short drama crews in recent years. The creators have captured every angle of the village's traditional courtyards, winding alleys, and gently rising cooking smoke. Locals have grown used to exchanging their daily farm clothes for costumes between busy seasons, giving life to lively townsfolk on vertical screens.
Yuanqiao village's revitalization is not just a story told through the camera lens. Si Jianbin, responsible for short drama coordination in the village, told the Global Times that the changes brought by short drama filming are visible in many ways. 
With traditional buildings serving as natural film sets, once-abandoned houses, crumbling village walls, and old opera stages have been repaired and preserved. This has renewed villagers' sense of cultural stewardship. The arrival of drama crews has also broadened job opportunities for local youth; more young people are now choosing to stay or return home, breathing new life into the village.
Si noted that challenges also persist. The swift rise of AI-generated dramas is reducing demand for real-life shoots, and the number of visiting productions in the village has started to drop. Still, Si remains confident, noting that the village's authentic architecture meets the growing demand for high-quality short dramas. He said that leveraging this unique match will secure a promising future for revitalizing rural areas through film.
Changed villages

"For years, I only saw our old houses as broken-down obstacles; after filming, I realized every brick and tile is our cultural heritage," Yang said. Having played a background actor in numerous dramas - from period pieces to modern stories - she and her neighbors now see their ancient city walls, opera stages, temples, and homes through new eyes.
Some once-vacant houses have found new purpose as meticulously arranged sets, bearing witness to love stories or family feasts. One courtyard, frequently appearing in short dramas, is adorned with red lanterns and paper cuttings to express joy. Villagers redecorate it for shoots, blending cheerful ambiance with authentic period feel.
Today, Yuanqiao's residents - all from toddlers to seniors, even family donkeys and dogs - have become "stars" on camera. People farm during the busy season, then slip into costumes to perform, seamlessly shifting between fields and film sets.
Younger villagers have found new skills and work too. Si noted that more than half of local youth have acted as extras, with some job-seeking college graduates now learning editing and computer skills from the drama teams, opening the door to steady work in short film production.
The economic benefits for the village are clear. Si pointed out that village income grew from 4 million yuan ($593,330) in 2024 to over 5 million in 2025, a 20 percent of increase thanks to short drama filming. Most villagers have seen their annual incomes rise by around 5,000 yuan as a result.
Traditional crafts once on the verge of disappearing - such as paper-cutting and basket-weaving - are also reviving. Villager An Qing'e, known for her hand-woven flower baskets, was discovered by a filming crew and soon found online customers for her props.
Tourists, too, are seeing the village in a new light, as site visiting becomes an immersive experience. They are no longer fleeting passersby, but participants in the living stories of the ancient village. 
The sets created for filming repurpose historical spaces, allowing visitors to step into the joys and sorrows of different eras.
This phenomenon is not limited to Yuanqiao village. The unique needs of rural and historical short dramas perfectly match the spaces and cultural resources of China's villages. Other places, such as Hujiaxi in Yuanling county, Central China's Hunan Province, and Nanhu in Jinyun county, East China's Zhejiang Province, are attracting drama crews and experimenting with a rural revitalization approach combining short drama with agricultural and cultural tourism.
Seeking the irreplaceable
Still, the path for rural short dramas is being tested by the realities of the market. 
The rise of AI-generated content is quickly diverting orders away from real-location shoots. Si said that after peaking at 35 crews in 2025, the number shrank to one or two per month in Yuanqiao village by 2026.
Even so, Si sees a hopeful future. While AI short dramas win on low-cost virtual settings, China continues to encourage the creation of well-crafted real-life dramas through supportive policies. 
There is a lasting appeal in the atmosphere, sense of history, and human vitality that only real villages can provide - qualities virtual images cannot match. As audiences and studios increasingly seek authenticity and quality sets, villages like Yuanqiao have lasting room to grow.
Zhang Peng, a cultural researcher and associate professor at Nanjing Normal University, told the Global Times that the rise of AI-generated short dramas is reshaping the industry. However, this does not mean villages will lose out on the benefits brought by filming. On the contrary, when the bubble fades, truly valuable villages may be in even greater demand. 
Their core competitiveness is not just cheaper venues, Zhang explained, but their unique local culture, authentic lifestyle, and the fusion of online and offline tourism experiences.
"To keep these benefits, villages should not compete with AI on cost and efficiency," Zhang noted. "Instead, they must redefine their own irreplaceability in the production chain."
Ding Daoshi, a veteran internet analyst, offers a word of caution: short dramas change fast, and their impact rarely lasts as long as movies or TV series. For villages, the key to sustainable development is leaning on their unique heritage and not just short dramas. 
By finding their own irreplaceable assets and combining them with the energy of film, they can secure their future for the long haul.
。         看点一：中国男篮能否两战全胜？          由于中国男篮在小组赛也就是世预赛第一阶段的战绩不佳，而第一阶段的战绩将直接带入到世预赛第二阶段，因此，这使得只有3胜3负的中国男篮目前排名F组第5（共6队），排名第6也就是小组倒数第一的沙特同样是3胜3负。排名第4的韩国队虽然也是3胜3负，但他们世预赛第一阶段主客场双杀中国男篮。因此，中国男篮的处境并不理想。         根据世预赛晋级规则，第二阶段分组后，每个小组积分排名前三的球队和两个小组里成绩最好的第四名球队晋级世界杯，一共有7个晋级名额。作为2027年男篮世界杯的东道主，卡塔尔男篮自动获得世界杯参赛名额，但他们也需要参加世预赛，只是不占用这7个晋级名额。         对中国男篮而言，若想晋级2027年男篮世界杯，就必须争取成为F组的前三。只有这样，中国男篮才能直接晋级。否则，中国男篮即便成为了F组的第四，也需要好于E组第四的成绩，才能获得最后的参赛名额。

B | 而从F组第5升至第3难度很大。因此，中国男篮若能在本次窗口期两战全胜，排名、战绩和信心都将大幅提升。但如果只拿到1胜1负或者两战皆负，那中国男篮的处境会依然艰难甚至更加糟糕。

C |          中国男篮本次世预赛的两个对手，阵容上都存在不同程度的短缺。卡塔尔男篮近期的集训阵容缺少了如哈季贝戈维奇（世预赛场均16.6分，全队第二）、贝德里（场均5.7分）、哈里斯（场均8分）等主力，NCAA的穆萨没有回国。卡塔尔男篮此番使用的归化球员是淡出卡塔尔男篮多年的前归化后卫迈克-刘易斯，重金归化的前NBA球员纳恩因伤缺阵。         黎巴嫩男篮的核心后卫阿拉基（世预赛场均19.3分5助攻，两项数据都是全队第一）因伤缺阵，归化球员、新疆男篮外援劳森（场均14.3分12篮板，篮板全队第一，得分全队第二）也不会出战。此外，黎巴嫩新星、22岁的卡亚特（场均8.7分7.3篮板，篮板全队第二），上个窗口期表现不错的萨乌德（场均9.7分，上个窗口期单场拿到25分）都将缺席比赛。他们的新归化球员芬德伯克和球队的默契程度还有待观察。         就阵容的完整度来看，中国男篮本次世预赛要占据优势。中国男篮能否两战全胜和提升排名也将在此一举。         看点二：杨瀚森反弹？          杨瀚森上个窗口期在国家队的表现并不理想。两场比赛，他场均登场15.3分钟，但场均只能得到9.5分5.5篮板，攻防两端都没能体现出足够的价值。         主场惨败日本队时，他5投3中、6罚3中得到9分7篮板2助攻，出现4次犯规和2次失误。防守端，他脚步慢、防不出去的老问题依然明显，这也导致他被对手后卫多次点名攻击。

D | 轮到自己进攻，杨瀚森是越打越着急，甚至出现了篮下转身投篮三不沾的情况。比赛中，他还不止一次出现进攻犯规。整场比赛，杨瀚森的亮点有限。         拿下中国台北队时，杨瀚森8投4中、4罚2中得到10分4篮板1助攻。虽然数据相比输日本队时变化不大，但全场0犯规、1次失误，明显提升了杨瀚森的效率。比赛中，杨瀚森打得要更加自如，心态也没有那么大的波动。         这次世预赛，和国家队合练时间有限的杨瀚森，和队友不够默契、防守移动偏慢、中远投能力不稳定的老问题依然在，关键就看他能否调整好心态？能否用进攻上的优势来弥补防守端的缺陷。

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Published on:16:31:35